The work of Bristol sound co-founder the musician-producer, this sharp-edged though slight first film casts a critical gaze on the ecstasy-fueled club scene. Self-serving pillhead David (Marc Bessant) first robs an unconscious dealer, then in a later recollection tries to burgle his own parents. Before you can say, he's upside down in the remains of his car in a woodland – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with impatience toward townies, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Darkly Funny Duel
The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to free himself from his seatbelt, while clumsily segueing into flashbacks of his normal activities. The central theme – that the ecstasy generation were primarily out for number one – is firmly made. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Poacher arrives, fuming after David strangles his dog. Still, a darkly funny duel takes hold – David eager to get away; the Poacher denying his container of cider, intent on dousing him instead in resentful talk. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.
Stylish Imagery and Music Video Vibe
There is only one key story turn, but it results in a comically executed chaotic run on the forest trails that veers toward rural terror. Filmmaker John Minton finally gets to go all in with his showy imagery: where he was hunkered down doing artful shots of bugs in headlights in the early stages, he now lets rip with the full psychedelic grand display, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a complete narrative, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.
The film releases in British and Irish cinemas from 17 November.
